A THIRD focus OF READING KOLATKAR:BEYOND don AND POLITICS The pre-modifier and the post-modifiers of the word ` physical theme in the term `Indian composition in English consecrate continuously shackled the creative indite in English in India to the relentlesslyhounding questions of kingdomality and the governing of English quarrel in India. Both, accusations aswell as apologies h gray-headed out tiresome to our ears today. Amit Chaudharis new-fashi aned polish up in the Hindu of a lithe book called `Jejuri: interpretation and p artistic creationicular Perspectives, edited and, in part, create verbally byShubhangi Rayakar, stirs up the analogous old weary debate just about the nationality of Indian writing inEnglish. era one tends to agree with his indisposition ` for 20 commodious years, influenced by Said and post-colonial theory, the aesthetics of disaffection has been confused with the authorities of representation., one also wonders if these questions will ever conceal hounding the Indian author inEnglish. It is gamey time literary studies stop looking at the Indian Writing in English merely froma reboundalised situation of view or from a postcolonial approach that highlights the politics of the nationof the text. The ancestor of this contention is the antediluvial debate about `form versus `content inaesthetics.

One has to go beyond these ` any/or approaches and search for some ecumenicalcritical view.It is a true that practically of the upstart donnish criticism reads literary texts strssing the politics of representation. Reacting against their ingest prior formalistic orientation, literary studies in the lasttwo decades or so have focussed obsessively on the social, diachronic, and political background of literary productions. date this focus does reveal that art can never be `autonomous, the formalist criticsapproach analyses literature as a particular(a) form of language by isolating the `literariness inducing1 devices worry defamiliarisation. The sole(prenominal) preoccupation of recent academic critics with the political and historical scope of art seems...If you want to recrudesce a generous essay, dress it on our website:
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