In recognizing the inbred flaws of its characters, we can see how Chekhov shows us that reality is intrinsic, reality is non simple, linear, or clean, and that the real eudaemonia of theater is to show this inane, subjective reality. There are essentially three flaws that permeate over the characters of The Cherry Orchard. The clear rootage flaw is nostalgia. Madame Ranevsky is obviously the master(prenominal) character in this group, as she is really ...If you want to get a unspoilt essay, frame it on our website: Orderessay
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