Wednesday, March 20, 2013

Othello: the Seven Deadly Sins Analysis

In the gambol, Othello, Shakespeare brings us through unfolding events that seem to regularize the reader into a modern day soap opera. several(prenominal) stem turns are prevalent throughout the story but nonpareil only connects them all; the seven-spot deadly sins.

Othellos theme is a representation of the challenges and self realization based on human nature. Human nature, unfortunately, carries with it weakness, frailty and evil manipulation. These characteristics align with the seven deadly sins; pride, lust, envy, sloth, wrath, gluttony and greed. Shakespeare develops these sins subtly at first in Othello and becomes actually prominent till the tragic end. All of the characters in Othello suffer from some of these sins; from Othellos pride to Iagos wrath.

The close prominent deadly sin represented in this drama is wrath. Wrath is defined as a strong spiteful anger or indignation (Merriam-Webster Dictionary). Iago displays most of the wrath in this dram against Othello. Iagos plan for revenge against Othello doesnt seem justified, in fact, hes reasoning for this revenge seems very petty. Iagos anger begins with Cassios promotion to Lieutenant for which he sees as a slap in the face.

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Iago states, That never knack a squadron in the field, Nor the division of a battle knows (Shakespeare 959), he feels that he has the most experience and should have received the backing of Lieutenant. Iago also accuses Othello of sleeping with his wife, Emilia. He provides no evidence to nurse this accusation but rather it seems to exist as a result of the hatred he has built up against Othello. Iago plans to sop up Othello look like a fool for promoting Cassio and to discredit Othellos wife, Desdemona of her innocence. Also, Iagos wrath is carried out by Roderigo when he is told by Iago to kill Cassio in order to keep Desdemona in Cyprus by suggesting, wherein none can be so determinate as the removing of Cassio (Shakespeare 1030).

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