Doris Lessing’s terse story, In the National Gallery, is from 2007, and takes place in a field of study gallery, where the narrator is at the time of the act. It is told by a first- person narrator, from whose observations we work to know the other characters of the story.
It is not possibly to say if it is a man or woman who narrates, but we know that the person studies a painting of a horse, when we are introduced to the plot in medias res. The entire story takes place in the present, except from a part where the old man tells the narrator slightly his jejuneness – but this is not a flash back, only a statement of the past. However, the whole story is actually dealing with the past, because the narrator watches how the elderly man’s reaction is caused by his young, modest love. He changes from being the experienced and mature man that he is in the company of the jr. man, to becoming a some(prenominal) more uncontrolled-behaving character around the French girl. When talking to the younger man, he is calm and focused at the picture; “A second man sat down next to the first, who brocaded his hand, imposing silence. Then he murmured, “There he is, a beauty, isn’t he?
”, but when the French girl appears, he is suddenly not as relaxed anymore; “The man stared and seemed to pull in his breath.” Her appearance makes the old man longing for the past, and in the end, he has lost the self-control he seemed to possess, and from his behavior we can win that he feels the young love inside him.
As the story is told by observations of the old man and his acts, he becomes the main-character of the story. He is about sixty years old, and the narrator is probably elderly as well, because of the ‘we’ in his following thoughts; “That laugh could have been put into words, thereof: “Yes, I, too, has that irresistible impossible vitality … where has it all gone...If you want to attain a full essay, order it on our website: Orderessay
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