It was composed during a period of ad hominem difficulty for Eliotâ€"his marriage was failing, and both he and Vivienne were suffering from aflutter disorders. The poem is often read as a archetype of the disillusionment of the post-war generation. Before the poems publication as a al-Quran in December, 1922, Eliot distanced himself from its vision of despair. On November 15, 1922, he wrote to Richard Aldington, saying, As for The Waste Land, that is a thing of the past so far as I am concerned and I am at one time feeling toward a new form and style.[43]
The poem is cognise for its obscure natureâ€"its slippage between satire and prophecy; its piercing changes of speaker, location, and time. Despite this, it has become a touchstone of modern literature.
The poem begins with a section entitled The Burial of the Dead. In it, the narrator -- perhaps a representation of Eliot himself -- describes the seasons.
Spring brings memory and desire, and so the narrators memory drifts back to times in Munich, to childhood sledge rides, and to a possible romance with a hyacinth girl. The memories lonesome(prenominal) go so far, however. The narrator is now surrounded by a desolate land full of stony rubbish.
He remembers a fortune-teller named Madame Sosostris who said he was the drowned Phoenician Sailor and that he should fear death by water. Next he finds himself on London Bridge, surrounded by a crowd of people. He spots a friend of his from wartime, and calls out to him.
The next section, A Game of Chess, transports the reader abruptly from the streets of London to a tawdry drawing room, in which sits a rich, jewel-bedecked lady who complains about her nerve and wonders what to do. The poem...If you want to get a full essay, order it on our website: Orderessay
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