Tom Wolf's Bonfire of the Vanities

11). These chapters show us leafy vegetable Avenue society is filled with top dogs in a dog-eat-dog environment that eventually swallows the weak. However, we as well charm the distinguish demesne of the S verbotenh Bronx in these chapters, a world where lawyers works because they necessitate to do good in the world, non like those on Park Avenue who want m peerlessy. We meet the main characters in these chapters, including McCoy's mistress who leave become involved in the hit-and-run(a) accident that causes the low-brow and the high-brow in these two worlds to clash.

I feel Wolfe does a perfect line of products in setting up the contrasting worlds of Park Avenue and the South Bronx in these chapters. He also provides us with numerous characters but all of them atomic number 18 fleshed out and real in one manner or another. His depictions of phrase are particularly good, such as the way clubby WASPs greet others with tightly delivered "howjados" (Wolfe, 1990, p. 63). These chapters do a good job at showing how the privileged class often believes it is entitle to its privileges because of a presumed superiority over others, something that sets McCoy up for a d sustainfall.

In chapters 7-9, we are introduced to the slimy, alcoholic British journalist

Fallow and we follow the assistant district attorney Kramer as he continues to search for clues as to what happened during the car accident. We deliberate in these chapters that both the D.A. and the journalist are individuals who exploit the tensions that belch beneath the surface of the worlds between the haves and the have-nots. In fact, at one point Kramer and a detective discuss the fact that they come back it's ludicrous that the boy from the projects who was hit by McCoy's car does not have a record.

As Goldberg says, "I feel downhearted for those heap. They sit there saying the kid don't have a record, like that's a real fucking accomplishment" (Wolfe, 1990, p. 199). Eventually, we see that individuals like Fallow and the D.A. exacerbate tensions between communities to climb on their own careers.

I reacted strongly to these chapters as I find the carriage of the D.A. and the journalist repulsive. This is particularly true with the journalist who lives a livelihood paid for by others but who has no problem exploiting people to make a name for himself. He and the D.A. both are responsible for ruining other people's lives as the way they advance in their careers. The D.A. resorts to threats to bully elected officials, while the journalist will stop at nothing, no matter how harmful to others or society, to write a story that will bring him funds or career advancement.

These chapters are important to me because they show how corporation tensions between the privileged and under-privile
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