Italo Calvino's "The Adventure of a Traveler"

As his journey continues, everything he sees or comes in cont human action with only reminds him of the be crawl ind he is set to meet. His pillow represents an "island of freshness," the train moves with "an amorous, caressing motion, and he hums the tonal pattern of a song that the speed of the train prompts in him, "J'ai deux amours" (Calvino 165). The traveler's bearing is one of lightness and air. He cannot think of much else pull out of the reward of his journey. We are told by the teller that the traveler has a unique ability to block out anything in his intended mind that he does not wish to deal with, "His intensity had always been his ability to dismiss from the area of his thoughts any look of reality that upset him or was of no use to him" (Calvino 166).

to do this is important to the plot development. He continuously obsesses about the object of his journey, one that is viewed through the eyeball of love.

He is seized with a desire to sing and once once again the song is one of love, "Je voyage en amour!" (Calvino 166). The narrator informs us that the traveler is not upset when other passengers act in an inconsiderate manner, "He didn't hate them even when, a little before their station, they went out, leaving the door and the curtains wide airfoil" (Calvino 170). However, we eventually see that the narrator's focus on idealized love and his ability to block out reality cost him the set of disillusionment. We are told early on about the coin in his pocket he will use to call his heartfelt when arriving in Rome. It is like a magic object to hi
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